John Wayne’s Most Controversial Views Have Resurfaced, And They’ve Transformed His Legacy

John Wayne remains one of the most iconic actors to ever grace the silver screen. And even to this day, the star defines the Western genre like no one else. But it seems that there was also a lesser-known dark side to Wayne that not many of his fans know about. In fact, when you hear what the movie legend had to say for himself during his lifetime, you may be completely shocked.

Yet the image that most associate with Wayne is that of the all-American hero. Resplendent in cowboy hat and spurs, the actor wooed leading ladies and audiences alike as the charismatic lead of films such as Stagecoach, The Searchers and True Grit. That said, Wayne sometimes jumped genres, as Sands of Iwo Jima, The Quiet Man, and The Longest Day all prove.

Still, Wayne is indubitably best known for his Western movies, with one biographer, Ronald L. Davis, perhaps best summing up that fact. “John Wayne personified for millions the nation’s frontier heritage. Eighty-three of his movies were Westerns, and in them he played cowboys, cavalrymen and unconquerable loners extracted from the Republic’s central creation myth,” Davis wrote in his 1998 work Duke: The Life and Image of John Wayne.

ADVERTISEMENT

Throughout his prolific career, Wayne made more than 170 movies, in fact, and ultimately walked away with the Best Actor Academy Award for his portrayal of Reuben J. “Rooster” Cogburn in True Grit. But there were so many other iconic performances that helped define Wayne’s legacy. And the star himself was aware of his significance. “I was America to them,” he once said in reference to his legions of fans around the world.

But just as a country – any country – can be flawed, so was Wayne. Despite his status as a screen legend, he was outspoken on several sensitive topics. And one particular interview with Playboy magazine in 1971 reveals some particularly unsavory views – ones that threaten to distort the lens through which Wayne is now regarded.

ADVERTISEMENT

What’s more, those comments have since spread far and wide – well beyond those who are familiar with Wayne’s films and his persona. And as a result, the actor’s status as an American icon could be in real jeopardy – especially in an era where legacies can be undone in what may seem to be just a matter of days.

ADVERTISEMENT

Perhaps, though, it helps to understand the era in which Wayne grew up. He was born Marion Morrison in 1907 – originally with the given middle name of Robert. However, Wayne’s parents ultimately switched that moniker to Mitchell when they had a second son. And the name change ultimately proved to be a fitting one, as the young boy’s paternal grandfather, also known as Marion Mitchell Morrison, had been an American Civil War veteran.

ADVERTISEMENT

Then the Morrison family moved from Iowa, the state of Wayne’s birth, to California. It was in the Golden State, in fact, that the future actor became known as “Little Duke.” A local firefighter, you see, had noted that the youngster never went anywhere without his faithful dog Duke. And, famously, that particular nickname stayed with Wayne his entire life.

ADVERTISEMENT

Finally, upon completing high school, Wayne applied to the U.S. Naval Academy – although he wasn’t accepted. Ultimately, then, he won a football scholarship to the University of Southern California, where he took studies preparing him for law school. But after an injury put paid to Wayne’s football career, he went on to lose that scholarship, and this left him with no other option but to drop out of college.

ADVERTISEMENT

Specifically, Wayne had sustained a shoulder injury while bodysurfing. Yet the young man’s luck changed when his football coach Howard Jones secured him a position as a prop boy and movie extra at the local film studios. Jones had struck up a friendship with the silent Western movie actor Tom Mix and had called in a favor in order to secure Wayne the position.

ADVERTISEMENT

Mix collaborated frequently with the director John Ford, too, and so Wayne started working with the pair of them. It was also through Mix that Wayne got to know legendary lawman and icon of the American West Wyatt Earp, who was hired as a consultant for the early Western movies. And, interestingly, Wayne later claimed that he had modeled the way in which he talked, walked and behaved on screen on Earp.

ADVERTISEMENT

Then, after Wayne had his foot in the door in Hollywood, he started to develop an influential friendship with Ford, who later directed the star in some of his most memorable movies. And to begin with, Wayne secured a few uncredited roles in pictures such as Bardelys the Magnificent, Brown of Harvard, and Salute. Soon, though, things were to change.

ADVERTISEMENT

Interestingly, Wayne was only once credited under his real name – or at least as close to it as it would ever be. This came by way of Fox’s 1929 production Words and Music, which saw him referred to as “Duke Morrison.” And when the actor secured his first starring role a year later, he had adopted the screen name by which he would go on to become famous.

ADVERTISEMENT

That part was in The Big Trail – a Western, of course. The movie’s director, Raoul Walsh, had spotted Wayne – then still known as Marion Morrison – moving studio equipment while carrying out his role as a prop boy. And Walsh was seemingly taken with the aspiring star, too, as he quickly cast him in the big-budget picture. Nevertheless, a change of name was apparently in order, and the filmmaker had some suggestions.

ADVERTISEMENT

Walsh first put forward “Anthony Wayne” in tribute to a famed Revolutionary War general. However, the head of Fox Studios, Winfield Sheehan, is said to have rejected the new name under the grounds that it sounded “too Italian.” Instead, Sheehan recommended John as an Anglo-Saxon alternative. In that way, John Wayne was born, and the man who began to go under that moniker hadn’t even been part of the decision-making process.

ADVERTISEMENT

Yet The Big Trail flopped. While it is now remembered by critics as a significant movie, it wasn’t well-received at the time. And as the star, Wayne’s career duly suffered. In fact, for the next decade, the actor was relegated to mere bit parts in bigger pictures and leading roles in the types of films that played second fiddle in Hollywood.

ADVERTISEMENT

Indeed, many of Wayne’s movies throughout the 1930s were deemed “Poverty Row” productions. This was the name given to films made by the number of smaller budget studios that popped up in Hollywood on the back of the industry’s success. Nevertheless, the actor continued to make a name for himself within the ever-popular Western genre, appearing in what he later estimated to be 80 such movies – albeit with little success at first.

ADVERTISEMENT

But all of that changed with 1939’s Stagecoach. Directed once more by Wayne’s friend John Ford, the film catapulted the actor to stardom. The war years didn’t dampen his celebrity, either. Yet Wayne’s failure to serve his country during World War Two, was, according to his third wife, Pilar Pallete, one of the most painful episodes of his life. “He would become a ‘superpatriot’ for the rest of his life trying to atone for staying home,” Pallete later said.

ADVERTISEMENT

As Wayne’s career continued to go from strength to strength, moreover, his political sympathies became ever more overt. Wayne had long been a Republican, but he became more active for the cause in 1944 by becoming part of a Hollywood group that set up the conservative Motion Picture Alliance for the Preservation of American Ideals. He also became the alliance’s president in 1949.

ADVERTISEMENT

Wayne was also an ardent anti-communist and often expressed support for the House Un-American Activities Committee (HUAC). This House of Representatives organization targeted those individuals who had at any time expressed socialist sentiment or views that could be loosely identified as such. Wayne even went on to portray a HUAC investigator in 1952 movie Big Jim McLain.

ADVERTISEMENT

Wayne’s stance against communism was famed, too. Although he was never actively associated with the governmental efforts to weed out supposed sympathizers, he was known to ostracize actors and movie industry workers who he deemed to have communist leanings. This activity was known as blacklisting, and it’s looked upon poorly through the lens of history. In fact, even at the time, some noted the sinister nature of the practice.

ADVERTISEMENT

Then, later on, Wayne was also a supporter of the hugely unpopular Vietnam War, which the U.S. fought in varying degrees of intensity between 1955 and 1975. Indeed, the star was single-handedly responsible for the 1968 movie The Green Berets, which was the only Hollywood-produced movie to support the war effort. Ultimately, then, Wayne’s opinions set him apart from most of those with whom he usually worked.

ADVERTISEMENT

Yet these strong beliefs never really alienated Wayne from his audience or from the rest of Hollywood. His career and persona arguably transcended the movie business, in fact, with the result being that the actor arguably came to signify something uniquely American.

ADVERTISEMENT

Naturally, then, Wayne was mourned when he died from stomach cancer in 1979. The actor left behind seven children from three marriages, along with many more grandchildren. And just two weeks before his death, he was awarded one of the two highest honors that could be bestowed upon a civilian by the U.S. government: the Congressional Gold Medal.

ADVERTISEMENT

Just a year after his death, Wayne was also awarded the Presidential Medal of Freedom by President Jimmy Carter. That completed the set for the actor in terms of the most prestigious civilian awards available. Posthumously, a school, an airport, a trail and a highway were all renamed after the actor, too, while a statue was ultimately erected of Wayne in Beverly Hills.

ADVERTISEMENT

So, despite some of the questionable political beliefs that Wayne had harbored and actively spoken of during his lifetime, his legacy was secured. His movies are still ubiquitous on TV networks around the globe, in fact, and he is still seen by many as the quintessential American patriot. Even so, the Playboy interview that Wayne gave in 1971 now threatens to besmirch the actor’s image.

ADVERTISEMENT

The piece in question was thrown back in the spotlight in 2019 after screenwriter Matt Williams shared shots of the article via his Twitter account. And owing to the attention Williams’ tweet received, Wayne’s reputation may now have been irreparably damaged.

ADVERTISEMENT

Wayne addressed a number of topics in the broad-ranging interview, starting with movies that he believed were “perverted.” One such film that he referenced – and while using an offensive slur – was Midnight Cowboy, which features a homosexual storyline. “Wouldn’t you say that the wonderful love of those two men in Midnight Cowboy, a story about two fags, qualifies?” Wayne asked the journalist from Playboy.

ADVERTISEMENT

Next up on the political agenda was communism – a belief system that Wayne had condemned innumerable times throughout his career as an influential public figure. “The communists realized that they couldn’t start a workers’ revolution in the United States, since the workers were too affluent and too progressive. So the commies decided on the next-best thing, and that’s to start on the schools, start on the kids. And they’ve managed to do it,” Wayne stated, when asked about liberals.

ADVERTISEMENT

Then the actor was asked a question about the political activist Angela Davis, to whom he had referred in a previous answer. Specifically, the interviewer asked Wayne if he believed that Davis was discriminated against because she was black. “With a lot of blacks, there’s quite a bit of resentment along with their dissent – and possibly rightfully so. But we can’t all of a sudden get down on our knees and turn everything over to the leadership of the blacks,” Wayne replied.

ADVERTISEMENT

Wayne wasn’t done on the subject, either. “I believe in white supremacy until the blacks are educated to a point of responsibility. I don’t believe in giving authority and positions of leadership and judgment to irresponsible people,” the actor said. Even viewed in their historical context, these comments were highly controversial.

ADVERTISEMENT

And Wayne continued to voice opinions that may seem callous today. “I don’t feel guilty about the fact that five or ten generations ago, [black] people were slaves. Now, I’m not condoning slavery. It’s just a fact of life, like the kid who gets infantile paralysis and has to wear braces so he can’t play football with the rest of us,” he added.

ADVERTISEMENT

The star also weighed in on affirmative action – a policy whereby opportunities are offered to those who have been previously discriminated against. “I will say this, though: I think any black who can compete with a white today can get a better break than a white man. I wish they’d tell me where in the world they have it better than right here in America,” Wayne stated.

ADVERTISEMENT

And after being asked how he felt Native Americans had been portrayed in his films, Wayne was similarly dismissive. He responded, “I don’t feel we did wrong in taking this great country away from [Native Americans], if that’s what you’re asking. There were great numbers of people who needed new land, and the Indians were selfishly trying to keep it for themselves.”

ADVERTISEMENT

As a card-carrying supporter of the Republican Party, Wayne was already an outlier among those in his industry. However, even taken relatively out of context, these views are difficult to dismiss as just being “of their time.” And Wayne’s historical comments have understandably seen a huge backlash launched against the star, who has now been dead for over 40 years.

ADVERTISEMENT

Indeed, the interview’s reposting on Twitter has seemingly caused fresh outrage. For example, when writing for the The Orange County Register in 2019, journalist David Whiting called for John Wayne Airport to be renamed. “What was okay in 1978 when supervisors named JWA [John Wayne Airport] is not necessarily okay in today’s world – and perhaps it never should have been acceptable,” the journalist explained.

ADVERTISEMENT

And in his call for action, Whiting expressed exactly what it was about Wayne that had consolidated his opinion. “For many years, I have been troubled with the decision to name an airport after John Wayne because of his bigoted views on African Americans, the LGBT+ community and Native Americans,” he added.

ADVERTISEMENT

In October 2019 students at the same college Wayne himself attended – the University of Southern California – also called for the removal of a campus exhibit that had been dedicated to the screen legend. Wayne’s son Ethan, however, has defended his father’s comments. “It would be an injustice to judge someone based on an interview that’s being used out of context,” he said to CNN.

ADVERTISEMENT

Regardless, Williams himself told The Washington Post why he believed the actor’s comments were still so relevant. “I think a lot of people recognize that those are views that are still pretty common today, even if people aren’t as blatant about it. And [Wayne’s] kind of held up as this ultimate American hero,” the screenwriter said.

ADVERTISEMENT

Somewhat ironically, then, Wayne’s tombstone in California’s Pacific View Memorial Park Cemetery features a quote from that very same Playboy interview. “Tomorrow is the most important thing in life. Comes into us at midnight very clean. It’s perfect when it arrives, and it puts itself in our hands. It hopes we’ve learned something from yesterday,” the memorial reads. As it happens, though, some of the other comments that the actor made that day may well prove more enduring.

ADVERTISEMENT
ADVERTISEMENT